By Choa Kok Sui
Historical Meditations, stored mystery for hundreds of years, are actually printed and taught to the general public for the time. This infrequent publication discusses the that means of Soul attention and complex meditations - Meditation on dual Hearts and Meditation at the Soul. The esoteric which means of the i'm in numerous religions and philosophies is mentioned in easily and simple to stick to steps. different themes comprise: Activation of the guts and crown chakras; Kundalini power and Soul cognizance; elevating one's awareness; attaining Stillness; distinction among Meditation and focus; the 3 everlasting Seeds; complicated Pranic respiring concepts; and lots more and plenty extra! those innovations let you speed up the Union of your incarnated soul (often defined because the character or decrease self) together with your larger Soul (Higher Self). This phenomenon is named "Soul Realization".
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Extra info for Achieving Oneness With The Higher Soul
Sometimes this seemingly meaningless application of architectural shapes in interiors does have a purpose. A century or more ago, evening feasts were illuminated with oil lamps and candles. The number of candles, and with it, the amount of light was limited because the candles gave off a great amount of heat. A festival hall like La Galerie des Glaces in Versailles could be illuminated only by a few hundred candles. The architect had therefore to make the most of these by using huge crystal chandeliers, mirrors and gilt mouldings for sparkle, and white walls for reflection (Fig.
The long corridor leading into the house is generally clad with white marble; doors are often richly carved, and in dark wood or colour stand out against the white walls. At the back of the houses there is often a garden room, and over it the drawing-room. In that case the corridor runs along a small inner court to these rooms, receiving a cool light through a big window looking out upon that court. Seen from the front door, this light gives a charming and beautiful accent in the long corridor.
The light painted shutters soften the heavy contrast between the dark walls and the bright sky. (Amsterdam) Fig. 28A. The glazing bars in the 18th century windows were made of wood, often painted white. The shadows and half shadows in the mouldings of these bars reduce the strong contrast between the bright sky and the dark surface of the bars facing the interior. : j~/ ( / \ ( Fig. 28B. Modern steel or bronze window frames and glazing bars have a rectangular section, so that there is always a harsh contrast between the dark metal and the bright sky.